"Anyone can make a bad movie; Kate Hudson and Adam Sandler make them by the fistful. Anyone can make a sickening movie; we are already up to Saw IV. Anyone can make an unwatchable movie; Jack Black and Martin Lawrence do it every week. And anyone can make a comedy that is not funny; Jack Black and Martin Lawrence do it every week. But to make a movie that destroys a studio, wrecks careers, bankrupts investors, and turns everyone connected with it into a laughing stock requires a level of moxie, self-involvement, lack of taste, obliviousness to reality and general contempt for mankind that the average director, producer and movie star can only dream of attaining. A generically appalling film like The Hottie and the Nottie is a scab that looks revolting while it is freshly coagulated; but once it festers, hardens and falls off the skin, it leaves no scar. By contrast, a truly bad movie, a bad movie for the ages, a bad movie made on an epic, lavish scale, is the cultural equivalent of leprosy: you can't stand looking at it, but at the same time you can't take your eyes off it. You are horrified by it, repelled by it, yet you are simultaneously mesmerised by its enticing hideousness. A monstrously bad movie is like the Medusa: those who gaze on its hideous countenance are doomed, but who can resist taking a gander?"
From hell | Features | guardian.co.uk Film